An iconic delay finally in the stompbox format we all wanted. Boss launched their iconic SDE-3000 rack unit in the 1980s, which was subsequently made legendary by Eddy van Halen and others. But nobody works with 19" rack equipment these days, with good reason. That's why Boss previously came out with a with the new SDE-3000 and SDE-3000EVH for the pedalboard, and now the evolution is complete with the SD-3 in classic stompbox format. That tasty over the top 80's delay, perfect for in your setup.
- The iconic character of the Roland SDE-3000 rackmount delay in a BOSS compact pedal.
- Beautiful vintage digital delay tones with an extended creative range
- Characteristic modulation with independent Rate and Depth knobs
- Hi Cut control for shaping the high frequencies
- Variable Offset function for creating unique sounds with a secondary delay line
- Adjustable maximum delay time: 800 ms (mono/stereo) or 1600 ms (mono)
- Two stereo delay options: panning and discrete stereo
- Versatile output modes: stereo, wet/dry and dry mute (mono or stereo)
- Tap tempo and carryover functions
- Jack for extended control via up to two footswitches or an expression pedal
- TRS MIDI input for synchronization with external MIDI clock signals
- Five-year BOSS warranty
Compact-Legend
Introduced in 1983 by our parent company Roland, the SDE-3000 is celebrated for its beautifully rich sound and distinctive modulation. The coveted SDE tone was realized through a finely tuned digital engine and the nonlinear behavior of the supporting analog circuits, including magnetic saturation in the anti-alias filter, evolving modulation produced by the components of the time, and a modified triangular LFO shape. The SDE-3 brings the authentic vibe of this classic delay as a pedalboard-friendly BOSS compact, enhanced with innovative creative features for any musical style.
Vintage Color and Character
Dripping with warmth and musicality, the SDE-3 elevates your sound with endlessly evocative delay sounds. The efficient panel offers the primary controls of its vintage benchmark, including delay time, feedback and independent knobs for modulation speed and depth, plus additional knobs that expand your sound potential. Explore retro single delays and mod/delay combos in the style of the '80s. Or tweak the mod and high-cut controls to conjure up moody, atmospheric tonalities for ambient, chill and lo-fi music.
Offset Magic
The SDE-3 not only reproduces the famous mono sound of the SDE-3000, but also includes a powerful Offset function to create interesting tones with two simultaneous delays. With one simple control, you can add a second delay directly to the primary delay; for a plethora of mono and stereo tones.
Doubled Delays-Whenyou turn the Offset knob to the middle position, you introduce a second delay that is 1-100 ms longer than the primary delay. For example, if the primary delay is 400 ms and the Offset is 10 ms, the time of the second delay is 410 ms. Combined with the SDE-3's timing, feedback and highly adjustable modulation controls, you can create deep delay tones that you can't achieve with typical delay pedals.
Timed Dual Delays-Inthe second half of the range, the Offset knob produces a shorter second delay based on the primary delay time. Use the pedal's tap tempo function to determine the quarter note value for the primary delay. Then turn the knob to adjust the time of the second delay between eighth notes and eighth dotted subdivisions. This allows you to introduce different rhythmic effects in sync with your music.
Multiple Output Modes
The versatile SDE-3 offers output configurations for any stage or studio scenario. Use it in mono for basic setups. Play in true stereo with discrete left/right delays or a panning mode for ultra-wide sounds moving through the stereo field. Send dry and direct feeds to two amps for wet/dry setups. Or mute the direct sound altogether for studio mixing and parallel effects setups.
Modern Workflow
The SDE-3 offers numerous control options to enhance your performances. Hold down the pedal switch to enable the tap tempo function. Or use the TRS MIDI input to receive clock sync signals from DAWs, pedals and drum machines. Connect external footswitches for on-demand access to tap tempo and a hold function for on-the-fly looping. Alternatively, an expression pedal can be used to control the Level, Feedback and Time knobs for delay mix adjustment, wild pitch effects and sweeping self-oscillation.
Specifications:
- Sample frequency: 48 kHz
- AD conversion: 24 bits + AF method
- AF method (Adaptive Focus method) This is a patented method by Roland & BOSS that greatly improves the signal-to-noise ratio (SN) of the AD and DA converters.
- DA conversion: 32 bits
- Nominal input level: INPUT A (MONO), INPUT B: -20 dBu
- Maximum input level: INPUT A (MONO), INPUT B: +7 dBu
- Input impedance: INPUT A (MONO), INPUT B: 1 MΩ
- Rated output level: OUTPUT A (MONO), OUTPUT B: -20 dBu
- Maximum output level: OUTPUT A (MONO), OUTPUT B: +7 dBu
- Output impedance: OUTPUT A (MONO), OUTPUT B: 1 kΩ
- Bypass: buffered bypass
- Controls:
- TIME knob
- FEEDBACK button
- LEVEL knob
- Depth button
- RATE button
- HI CUT button
- OFFSET button
- Pedal switch
- CARRYOVER switch
- Indicator: CHECK indicator (Used for Tempo indication and battery check)
- Connections:
- INPUT A (MONO) jack, INPUT B jack, OUTPUT A (MONO) jack, OUTPUT B jack: 1/4-inch phone type
- CTL/EXP jack: 1/4-inch TRS
- DC IN jack
- MIDI IN connector: Stereo miniature telephone type
- Power supply: alkaline battery (9 V, 6LR61 or 6LF22, sold separately)
- AC adapter (PSA series: sold separately)
- Current consumption: 75 mA
Dimensions: 73 (W) x 129 (D) x 59 (H) mm